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HDR is both a technical solution to the limitations of digital camera sensors, and a creative tool that can give any image much more impact - but it is not without its pitfalls, and it's essential to understand these if you want to take full advantage of this innovative technique. The second edition of David Nightingale's successful Practical HDR is completely updated with the latest techniques and technologies in HDR. Practical HDR provides you with an abundance of step-by-step examples that will quickly make you an expert on the theory and practice of shooting and processing HDR images, allowing you to get the best possible results every time.
As well as practical advice on shooting and processing, the book also contains a global showcase of inspirational HDR images - you will quickly find that HDR offers unparralleled opportunities for indulging your creative instincts, from photo-realistic to hyper-realism.
- Sales Rank: #930921 in Books
- Published on: 2011-12-20
- Original language: English
- Number of items: 1
- Dimensions: 8.24" h x .56" w x 9.25" l, 1.37 pounds
- Binding: Paperback
- 176 pages
About the Author
David Nightingale is an intructor for the Perfect Picture School of Photography and director of Chromasia training.
Most helpful customer reviews
11 of 11 people found the following review helpful.
Excellent up-to-date overview of HDR software
By M. Denis Hill
This will jump start your HDR efforts with descriptions of most leading programs and introductions to creating realistic and artistic images with each.
David Nightingale starts by explaining high dynamic range imaging, why we often want to extend the dynamic range that can be captured in a single exposure, and how tone mapping determines the final look of an image converted back to LDR for output. He goes on to describe the shooting process. After the basics, he moves into descriptions of how popular programs ... including some recently introduced ones ... work to merge and tone map bracketed sequences.
HDR capability is appearing frequently in standalone programs as well as integrated in photo editing suites. This book covers the current major programs, many of which I use: Photoshop CS5, Photomatix Pro, HDR Express, HDR Efex Pro, Olneo PhotoEngine. The strengths of each are described in sufficient detail to help the novice make a thoughtful investment. Some of the techniques covered are noise reduction, how many images to use, and how each option offers different presets and tone mapping tools. As one who started dabbling in HDR about three years ago, let me say that I find that the addition of presets hugely speeds up the tone mapping process.
After describing the programs, the author provides examples of "photorealistic" and "hyper-real" HDR images. The settings are included to expand on the more abstract discussion in earlier chapters.
The chapter on post-production covers helpful techniques including noise reduction, halo removal and other techniques that might not occur to a beginning practitioner of high dynamic range imaging.
I use Photoshop, Photomatix, and HDR Efex Pro ... both for artistic renderings for gallery sales and realistic for high contrast architectural images. With this experience I can confirm that the author's descriptions of how the programs work and how to maximize results are quite accurate and useful. I did discover one point that was misleading, so I'll share the truth.
HDR Efex Pro does not include raw image conversion. It relies on Adobe Camera Raw most of the time. Another option is the pre-process raw images in your preferred converter, then merge 16-bit TIFF files. But two other options work. Here's my current workflow:
Select an image set in Adobe Bridge.
Open in ACR and turn on Lens Profile Correction, white balance, straighten tool, noise reduction, and possibly other corrections not related to exposure.
Click "done".
Use tools>photoshop>merge to HDR Pro.
Choose 32 bit output and process.
When the 32 bit image appears in Photoshop, go to filters>Nik Software>HDR Efex Pro.
This gives me the best of ACR with a fairly simple workflow. I used to be able to bypass the Merge to HDR Pro step, but that stopped working for me after the last ACR update. In that scenario I would do my ACR settings and click "done." Then I'd go to HDR Efex Pro in the filters menu and after the raw conversion and merging to 32-bits was done I'd be presented the image in the tone mapper.
I still like The HDRI Handbook 2.0: High Dynamic Range Imaging for Photographers and CG Artists for a more geek-oriented approach, and HDR Efex Pro After the Shoot (After the Shoot) for more in-depth tips on using HDR Efex Pro. All three of these books suffer from some photos being too small to adequately illustrate image differences, but each is a worthwhile addition to an HDR library.
16 of 18 people found the following review helpful.
A practical guide for a strict beginner
By Amazon Customer
As is the case with most books and gurus that try to 'teach' digital imaging techniques, the whole genre is based on image content that you will rarely ever see or have the chance to capture. Most don't realize this until they try to get an effect that matches the slider settings for a specific sample image. This book is full of 'set the slider here to get this' in the various programs talked about and most of the info on the programs is simply 'move slider here' or a rehash of basic program use. This of course is what the vast majority of the digital imaging education system is about and why it makes it so difficult for beginners to really learn instead of mimicing canned technique.
About the only part that would have any real world use is the first few sections of the book where the author goes into the dynamics of image capture. His explanation of dynamic range based on perception and equipment is enough to get a basic understanding of what DR is and how to shoot for maximum effectiveness. The software part is sadly lacking in cohesiveness and you quickly find yourself making useless comparisons between each program that is mentioned. He also skips rather quickly over noise reduction using such Photoshop plugins as Noiseware and this issue alone is one of the deciding factors over a really good image especially with large print output. As the vast majority of output today is Facebook oriented garbage then quality isn't really a big issue so good noise reduction in this case isn't warranted.
So, for a beginner, you get the gist of DR capture but you quickly get bogged down with software and tiny image sample comparison. Also, the book isn't formatted for Kindle/Nook reading with references to samples that can show up 2 or 3 pages later which makes it a nasty deal flipping back and forth on a pad reader.
GM
7 of 8 people found the following review helpful.
Still As Good As It Gets
By Conrad J. Obregon
As time passes, both High Dynamic Range (HDR) software and the books about it change. Yet David Nightingale's updated second edition of "Practical HDR" continues to be one of the best books about the subject.
In this new version the author deals with some of the most popular HDR programs: Photoshop CS5, Photomatix Pro, HDR Express, HDR Efex Pro and Oloneo PhotoEngine. The book begins with an explanation of dynamic range which is essential to using any of these programs well. The author then tells how to shoot HDR images most effectively. He provides an overview of each piece of software and then explains how to use each, first to create realistic images and then to create surrealistic images (or what he calls hyper-real images.) He finishes the book discussing post-processing of HDR images, like increasing contrast and removing halos.
Given the size of the book, the author does an excellent job of explaining how each of the buttons and sliders in each of the programs effect the image. He also provides a number of images by both himself and other well-known HDR photographers that document the settings used to achieve the results. His writing is clear and concise and except for a book dedicated to just one piece of software is as comprehensive as any one can find. One will still have to experiment with the sliders but with this book in hand, one will have a good starting point.
Nightingale is at pains to state that he does not want to recommend one program over another, or compare them, but any careful reader should be able to connect the dots himself. Occasionally, he misses a feature of a program, like Photomatix Pro's ability to batch process images which I find very useful for HDR panoramas, but these are features the user can discover as he or she goes along. By the way, most of these programs have full-featured demos available which should aid the photographer in purchasing choices.
I do have to confess that the small sans-serif type is difficult to read, but one interested in the subject should not be discouraged by the typography.
Most of these HDR programs are just as complex as Photoshop, and no one should expect to get great images out of the gate. Just visualizing the possibilities of hyper-realistic images may be mind-bending. To be truly successful one will have to spend time not just with the programs, but with other HDR books that have different approaches.
HDR photography is not for the beginner, but the more proficient photographer will want to extend the range of light in his images. None of these programs is intuitive and all require extensive use to master. Even with the preset previews that most of these programs provide it is often hard to visualize how to move sliders to achieve both realistic and hyper realistic effects. This book is perhaps the best start in HDR photography that one can get.
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